BANKS talks about new album, new single and Bulgari Diamonds
BANKS is no stranger to water. Whether she drowns in it, swims through it, or wishes to be made of it, water is a constant theme in the singer’s three works to this day. “I feel like it can consume you and you can consume it,” she said. “When I write when I’m feeling really powerful, I feel like I might consume something. And when I feel really vulnerable, I feel like something can consume me. feel like water is my friend in this way. We are one. ” In “Skinnydipped”, her second single from her unnamed fourth studio album, the water is both cleansing and enigmatic. The song is a regenesis – a woman entering new, undiscovered power. The production slips below her piercing delivery as she bites down lines like “I aired my sheets because they smell like you / I cleaned the salt from my wounds”, and her harmonies build a world. around her to start over. It’s a cascade of emotions, and she asks you to join her to swim.
In the clip, co-directed by the artist herself and Michael Stine, BANKS reinvents itself as a mermaid on the water. She metaphorically molts like a snake, because for her the animal “signifies rebirth and … to be present in the skin you are in”. Working closely with Lessja Verlingieri of Lever Couture and her Fashion Director Jenny Williams, BANKS felt that the perfect embodiment of everything “Skinnydipped” had to say was in the alluring styles of Bulgari diamonds. She is (literally) dripping in the Serpenti collection: “I felt like a mermaid, so powerful, but you can’t tell if it’s dangerous. It’s my favorite feeling.
BANKS ‘new music marks a revival after spending a year and a half in confinement to overcome mental and physical health issues and restart his career as a freelance artist. Through it all, music held her on, a necessary grounding in the uncertain world of music liberation on its own and healing from within. ” In these moments [in quarantine], I felt like I had wet pudding on the floor, ”she says. “Making music really helped me get by, and I felt like I had to leave [there]. I needed to work on things that had been under the surface for a long time, but never had time to rise [their] to manage.”
Below, ELLE.com caught up with the singer (Jillian when not playing) about her new single, creating for and by herself, and dressing like the mermaid she always was. .
You co-directed both “Skinnydipped” and “The Devil”. How important is it for you to be so deeply involved in what you create?
That’s all for me. I have always written my own music but have been deeply involved in the production. I think having some free time, just to marinate on everything and certain things that I was trying to work on, started me on this journey to feel the most independent I have ever felt. I think the real art comes from the person. It’s sharing what you need to share. It gives off everything that we cannot say to the contrary. To really know an artist, it has to come from them, otherwise it is not your own art.
How do you translate the emotion and vibe of a song into a look for a music video or tour? You always seem to have a very specific theme, and it’s still a little dark and mysterious, but clean and simple.
When I make music, it’s so visual. If I close my eyes, or write a melody, I immediately see a color, or I immediately see something sharp, or something really sweet, or something smoky. I feel like the textures are huge … you can feel something when you listen to something. And, in this regard, when I’m trying on, it’s more [about] whatever my instincts lead me. As you go through different phases, you are drawn to different things, and I think I definitely went for simplicity. I like soft, simple, flowing fabrics, but I think “The Devil” needed something a little rougher.
What was your creative and styling process for “Skinnydipped”?
This is my favorite video that I have [ever] ended. My friend Lever Couture has designed all the dresses I wear in them, and she’s so avant-garde. She is so good at adapting to a woman’s body – there is a lot of fabric, but it is transparent. A dress I wear is plastic – literally plastic all over my skin. It was really fun in that regard, because “Skinnydipped” is about mermaids on a lake in their natural habitat, and you can’t tell if they’re dangerous, but they’re divine and it’s really empowering. The dresses I wore for this were unique and divine. It was as if a creature that you had discovered in the woods, which was the queen of some sort of strange thing that you had never seen, would wear these dresses. I think they raise you larger than life, but they are also very simple at the same time.
I love that you are wearing Serpenti pieces in the video. Whenever I think of Bulgari, and in particular the Serpenti line, it’s always very powerful, sexual and liberating. What prompted you to wear these pieces?
Ah yes, for sure. I mean, “Skinnydipped” is an attractive little beast. These works of art that I was able to wear, you feel so powerful wearing them. They look like everything I wanted to portray women like in this video, which is divine, powerful, seductive, sensual, mysterious, everything is what the Serpenti collection is all about. The idea of mermaids has always intrigued me so much because they are these beautiful, enigmatic creatures, but you can’t touch them, and you want to, but you can’t tell if they’re dangerous or not. The Serpenti collection made me feel like that, it made me feel like a mermaid.
What are you waiting for the most with this new album and this new era?
I can’t wait to see what I can do. I have never possessed my mind as much as I do today; I have never possessed my own creativity as much as I do today. I don’t even know what’s going to happen, but I’m so excited to see.
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